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|Honeybees||Oct 3 2012, 05:45 AM|
Just to expand my earlier point, I do not understand how professional television writers don't understand that propping doesn't work. No matter how popular Will and Abby are - and they are both well-liked characters, even if Will drives some crazy - the audience is not going to buy them breaking character and suddenly propping another character. Yes, Will has always liked Rafe for unclear reasons beyond he's always been used to prop him, but after the couch sex debacle Will was powerfully clear on the point that his mother had destroyed that marriage. It makes no narrative sense whatsoever that Will, who as a child always wanted his parents together, would suddenly change gears and want a Safe reunion after just seeing his mother break his Dad's heart. It's not Will saying those things, it's bad writers.
Abby loved and was devoted to her Dad. She's devastated by his death. Abby becoming a champion of Dannifer is not Abby talking, it's bad writers. Utterly horrifying that the writers would use her character this way.
Meanwhile, Gabi is starting to be actually likable, not because everyone in town is talking about how wonderful she is, but the opposite. And she's developing a relationship with Nick - not even a romantic one yet - based on the shared idea of having done wrong and being the town pariah. It works because BB is a great, charismatic actor and the storyline supports those two bonding. Thus, suddenly people who have loathed Gabi - including myself - are suddenly turning around and enjoying her scenes. Good actors, interesting story arcs and relationships that make sense is what makes people like characters, not non-sensical propping. It's screenwriting 101.
The only thing Abby singing Daniel's praises make me do is repeat the catchphrase "The wrong Deveraux died" over and over.
Edited by Honeybees, Oct 3 2012, 05:45 AM.
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