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| SOD Best & Worst -- 2004 | |
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| Topic Started: Nov 30 2009, 08:59 PM (1,612 Views) | |
| Mason | Dec 7 2009, 12:57 PM Post #61 |
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BEST STORY BABY LILA SAVES KRISTINA, GENERAL HOSPITAL It's the worst of imaginable tragedies compounded: Sonny learned that the child he never knew was dying, then unexpectedly experienced the death of his newborn baby. As hard as it was to watch, it must have been oh-so-much harder to write. The scribes had Alexis ask Sam to potentially sacrifice her unborn daughter for a stem-cell transplant. The story was risky in that it could have made Alexis, a fan favorite, seem callous and cruel. Sonny was put in a position of essentially having to choose which daughter was more important to him, and Carly picked the eleventh hour to reveal Kristina's paternity, which torpedoed her marriage. The life-and-death scenario provided thought-provoking moral issues, excruciating heartbreak and far-reaching consequences, which, of course, are what good soaps are all about. |
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| Mason | Dec 7 2009, 01:08 PM Post #62 |
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WORST STORY THE SANTIS, ONE LIFE TO LIVE Some of the worst mistakes soaps can make include: filling a screen with newbies, ignoring the vets, telling a boring, clichéd story and rewriting history in a way that doesn't make sense. With the introduction of the Santis, OLTL made all four blunders in one fell swoop. It was bad enough giving Dorian a secret past (and daughter) with a dead mobster and making Antonio his son. Unfortunately, the show also added three(!) new characters (Sonia, Tico and Angelina), which stole screen time from the vets. Then, there was the story itself, which was like a bad parody of THE SOPRANOS. We just couldn't get into a tale that featured a horny fed (Sonia), a moody ex-cop (Antonio) and Tico, possibly the blandest "villain" in daytime history. We're relieved that the Santis are finally gone because for a while, it seemed as if a hit was put out - on the audience. |
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| Sindacco | Dec 7 2009, 01:33 PM Post #63 |
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Thanks, looking forward to it. |
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| Mason | Dec 7 2009, 02:00 PM Post #64 |
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BEST PRIME-TIME SOAP THE O.C. Last summer, with TV in dire need of a show that didn't involve forensics or freakish stunts, we were whisked away, along with broody Ryan, to THE O.C., a land of extreme wealth and even more extreme stories. By the time adorably nerdy Seth added Chrismukkah to our lexicon, the super-speedy plots had us hooked (especially for those of us still withdrawing from DAWSON'S CREEK and BEVERLY HILLS, 90210). But could our new sugar high possibly last another season? And how! As year two kicked off, Sandy and Kirsten squabbled; Ryan actually smiled; Seth and Summer sizzled (despite a breakup); MIA little sister Kaitlin Cooper was neatly dispatched to boarding school (no HAPPY DAYS's Chuck Cunningham obscurity for her); Caleb faced financial ruin and we met four new characters, including a sexy gardener to spoil Ryan's reunion with his boozy, primal-screaming ex, Marissa. Delicious - California, here we come! |
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| Mason | Dec 7 2009, 02:18 PM Post #65 |
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BEST NEW PRIME-TIME SOAP DESPERATE HOUSEWIVES Grown-up nighttime sudser DESPERATE HOUSEWIVES is smart, sexy, funny and mature, just like our fave Wisteria Lane residents. The post-feminist medley of drama, comedy, romance and mystery is smartly written and focuses on dimensional characters, whose problems strike a chord with contemporary women. Brittle Bree's perfectionism is balanced by glimpses of her caring nature and vulnerability; though Lynette, a former boardroom shark, is bored, resentful and frazzled as a stay-at-home mom, she's a loving mother to her unruly boys; divorcée Susan is pretty, intelligent and charming, yet buffoonish and Gabrielle is an adulterous, spoiled trophy wife, but she's so likable, fans can easily justify her naughtiness. If you haven't done so already, be sure to drop in on these neighbors. |
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| Mason | Dec 7 2009, 02:40 PM Post #66 |
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BEST SHOW YOU'RE NOT WATCHING GUIDING LIGHT The massive transformation that GL has undergone over the last six months far exceeds the "Most Improved" tag. Byzantine plots, gone. Ill-conceived characters, axed. What remains is a show so riveting and well-defined, we can't understand why more people aren't watching. Here is what they'd see: Springfield's grief over the death of Spaulding scion Phillip is giving way to a well-plotted whodunit. Dinah's return rocked the lives of dad Ross and archenemy Cassie. True love couldn't keep Gus and Harley together, but they are slowly discovering that they can't live apart, either. Bill and Olivia are grappling with marriage and love (in that order), while Danny struggles to move on (finally) without Michelle. Witty and affecting dialogue says it all, as beloved vets (like Holly, Blake and Reva) mesh with fascinating newcomers (like Sebastian and Jonathan). But no one story - or character - dominates the scene. GL invests in people, not plot. Heroines like Cassie, Reva and Harley are seductive, maternal, vengeful and occasionally peacemakers; heroes such as Josh, Gus and Danny are complex and often dark. They are real people who make real mistakes, but all have an underlying nobility. The scoundrels - Alan, Lizzie, Dinah, Jonathan, Sebastian - can commit the most devilish of deeds, yet retain vulnerability and humanity. The show's commitment to focusing on core families whose lives and shared pasts are intertwined makes Springfield feel like a real town. In short, GL has all the elements you want in a soap. The only thing missing is you. |
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| Mason | Dec 7 2009, 02:59 PM Post #67 |
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BEST SHOW THE YOUNG AND THE RESTLESS Last year, Y&R commandeered our Best Show category, and it receives this accolade yet again by continuing to deliver intricately woven plots, smart dialogue and characters whose integrity is fiercely protected. Under the guidance of Executive Producer/Head Writer Jack Smith, Head Writer Kay Alden and Supervising Producer Edward J. Scott, viewers know what to expect. While some shows appear to bow to the whims of focus groups, victims of too-many-cooks-in-the-kitchen syndrome, Y&R is remarkably consistent with confident, character-driven writing. The show regularly draws on its history. Revisiting Katherine's alcoholism was organic to the character and realistic. Sharon and Nikki's in-law squabbles are rooted in the past - Nikki never wanted her son to marry Sharon in the first place. Malcolm's return from the dead as a bitter badass is a reminder that the Winterses don't always live in COSBY-style domestic bliss. Drawing on the past is a payoff for long-time viewers and enriches the experience of more-recent fans. Newer characters aren't plopped front and center, but developed gradually as layers are slowly revealed. Take Damon: His Zen-like demeanor hid a horrible rage due to the killing of his young son, while reckless, predatory Kevin suffered a ghastly boyhood abuse. The daytime genre takes a lot of knocks from the unenlightened, so the next time some know-it-all criticizes the form, have them watch Y&R. It exemplifies everything that is wonderful about soap opera. |
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| Ally | Dec 7 2009, 09:16 PM Post #68 |
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The Royal Princess
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Sigh....What happened? DH used to be SO good :( |
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| darraholic | Dec 7 2009, 09:54 PM Post #69 |
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Resident Grump
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TC's shed secret was so so so dumb. And Liz/TC/Eve/Julian as Best Quad? LMAO! Eve & Julian had so much potential but they screwed that up quite quickly. Liz was such an annoying character. The OC was great the first season. The 2nd and most of the 3rd were so damn horrible. The Final Season was quite good though. SOD love affair with Maurice Benard is gag worthy :puke: |
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| lumifan4life85 | May 25 2010, 01:04 PM Post #70 |
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Do you have Best and Worst of 2005? The Jen/Gwen baby switch from ATWT and Jen's death, oh that was hard. And now that ATWT is gone, I miss me some Dusty lol. |
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| Checkers | Dec 6 2010, 05:22 AM Post #71 |
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we are all just songs in the end
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Y&R is definitely not like that anymore. Especially the part about new characters. That is all Y&R loves to do is prop new characters. :puke: Character-driven writing? Yeah, don't think we will ever see that on Y&R again. |
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| blueskies | Dec 8 2010, 07:46 PM Post #72 |
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:roflol: Julie-Bonnie catfights were hilariously amazing. I floved them. Best darn thing about that time after we found out they were all alive (which seemed painfully obvious to me after they killed Alice, dunno why SOD didn't see that coming). |
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| blueskies | Dec 8 2010, 07:49 PM Post #73 |
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this was awful; first, they let it go on too long. Sure there was a point where revealing the car prob would have been a good reveal. But that was like in the first year-two years. NOT 5 years later!! |
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| blueskies | Dec 8 2010, 07:52 PM Post #74 |
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Everytime you thought they couldn't possibly be more tortured than they were last year, JER came up with a way! |
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| blueskies | Dec 8 2010, 07:54 PM Post #75 |
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This was a good year for Passions; even if Sheridan was horribly, horribly tortured, I didn't like Martin and Katherine, and I was screaming at my tv for Whitney to "get the h*ll outta there and stop sleeping with her brother!!!" |
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| Checkers | Jan 15 2012, 11:52 AM Post #76 |
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we are all just songs in the end
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The Sonny kool-aid was strong back then. I was a Sonny fan at one point but talk about pimping a character hard. |
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| Poker Face | Feb 2 2012, 09:48 AM Post #77 |
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DraDeeDOESitBETTER best couple on DAYS
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worst triangle,indeed!!!i was rooting for kendall the whole time!!thank god she found her true soulmate in zach.
i loooved rexis!!!!i hated how tptp ruined them 4 good!!! |
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| Chabby | Feb 18 2013, 06:15 AM Post #78 |
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I love all 8 seasons. Sure some are better than others, but DH are amazing!! Well, "were" since it's ended now, lol. |
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